VIEW FULL VIDEO HERE:
youtu.be/3MDTvvcQQjE
Esther and Rahel met at a Sabbath dinner one Friday night in Ma'aleh Adumim, Israel. A friend had a hunch they might get along. They did.
Esther is a poet and author. Rahel is a singer-songwriter. They definitely matched in an artistic sense. Esther shared her poetry with Rahel.
The collaborative efforts worked again! In fact, this song, too, is a multi-country effort. Written in the USA, musically united in Israel, recorded in the local community center in Ma'aleh Adumim, Israel and finally, the tracks were mixed and mastered in London, England by one of the best! It's a good song overall with a good message: Let's give Israel some well deserved positive recognition!
Rahel comments:
As I looked at this poem I could clearly hear the music a la Bob Dylan. I asked her if she'd like to put it to music and she agreed.
The music came pretty quickly. The phrasing of the lyric took a bit of thought to make it very Dylanesque. I wanted to give it an early 1960's Bob Dylan style with the simple acoustic guitar chord progression and strumming. The melody was repetitive - verse after verse - with a few lines changed for a simple variety.
The phrasing of the lyric was most interesting to me. Where to accent, which words to emphasize, and the run on sentences that extended over the given measures and the sentences that were too short to fill the measures.
Esther comments:
I'm a 'Sixties survivor, one of those for whom Dylan's music -- the early Dylan, especially -- is inseparably interwoven with memories of the years when we thought we would change the world. I never gave up on it, just converted to Judaism and moved to Israel. I'm also a poet who has written at least one poem to most of the poets I've admired; dialogue between poets is one of the things I believe in.
The words to "Fan Letter" came to me in January 1966, one day when I was home with a fever. I imagined it sung to the tune of "Dear Landlord." But for copyright reasons it would be impossible to air it in that form, so I just put the words in my Collected Poems. When I met Rahel it occurred to me that she might be able to write another tune to it that would get the words across, and I'm really thrilled with what she did with it.
The tune is very much in the spirit of the early Dylan, and the singing comes across with warmth and power.
from
The Healing Light Project,
track released July 15, 2018
Lyric: Esther Cameron
Music: Rahel (Ann R. Silverman-Limor)
Recorded in Ma'aleh Adumim, Israel
Mix & Master by Gilead Limor in London, England